this book is a must have for every LUCY-DESI fan all over the world. it contains beautiful pictures and a lot of information about each episode. it is part of my collection and I see myself coming back to it everytime to look something up.is one of the most complete books I have ever encountered.

" I LOVE LUCY " WAS 1 OF THE BEST TV SHOWS IN THE 1950'S AND IS THE BEST SHOW EVER." I LOVE LUCY" CLASSIC MOMENTS BOOK IS A MUST FOR ANY "I LOVE LUCY" FAN. IT SHOWS YOU THE CLASSIC MOMENTS IN WHAT THE BEST TV SHOW THAT WAS EVER MADE.LUCILLE BALL AND DESI ARNAZ MADE WHAT THE SHOW WAS,ALSO VIVIAN VANCE AND WILLIAM FRAWLEY WILL ALWAYS BE REMEMBERED AS FRED AND ETHEL MERTZ AT 323 E.68TH ST. I FINSHED THIS BOOK AND I TRULY ENJOYED IT.

This is a great book for behind the scenes pictures of the cast and the stage they worked on. I have owned this book for about a year, and come back to look at it all the time. Lucille Ball is my favorite actress, and I just love her to pieces! This book contains photos of their set and everyday life. It also conatains some stories of their lives, so if you are a Lucy fan like me, don't miss this book!

I just finished reading this book cover to cover and feel very confident about moving on to the next stage of my CCNA preparation, practice tests and simulation! I've been using the CCExam software from CCStudy.com as well as a few other practice tests and am amazed how easy a lot of the questions were after reading this book. Just an indication of how comprehensive this book is.

More important, in my opinion, is the book's "readability"! I'm sure there are numerous books that cover the exact same information as this book yet might not be written in a manner that is clear and simple to understand, especially for Cisco newbies like myself. This book is just a lot of fun to read.

Finally, I really enjoyed the "real world" tone of this title. It isn't written for someone who's bound for the testing center, but rather for someone who needs to apply the knowledge at work in the field. I'm certain that I'll constantly be using this book as a reference even after passing the exam. Very cool.

All in all, I'd like to recommend ICND to the Cisco neophyte who's looking for that great "First Book" to start off his or her Cisco library. I'm really glad I got this book and I'm sure you will be too.

Good luck on your CCNA!

I read ICND by Cisco Press before. I found this book used on Amazon and bought it just because it was cheap. Now I can not put it down. This book is far better than Cisco Press' ICND. It has about 100 more pages than Cisco's. To me it is worth every minute spent to read this book.
I passed CCNA in December. So, I don't have the exam pressure. I am reading this just for fun and enjoying it.
I strongly recommend it over Cisco's ICND if you intent to take CCNA test.

I pass ccna2.0 with 935/1000 today. All I have is this book and Boson exams. I've read my friend's Todd Lammle book. I think this book is much better than Todd's. Todd's is written for passing the exam. For the ICND book, you actally learn the CCNA stuff in depth. I strongely recommend this book for everyone who want to pass the CCNA2.0 with FULLY understanding.

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

Journey into Madness is one of THE ABSOLUTE BEST books I have ever read in my entire life. If I was the principal of a High School, Journey Into Madness would be a required reading for all of the students. The young people need to learn that they have the right to living a pain-free life. And they need to understand that they will NOT get into trouble for reporting distressful or torturous experiences to authorities like they're librarians, nurses, and teachers. Thank you, Gordon Thomas, for being so kind as to offer the peace and mercy needed in the hearts of so many children and adults around the world. The American children are forever in debt to you for your merciful kindness.

Love,
Joematters.com

Mr. Gordon's research and objectivity is laudable, his book an eye-opener. It lends credance to movies such as Blind Sight. Mr. Gordon's description of Dr. al-Abub, his training and mission and that his current endeavors continue makes one wonder what humans can be about that they could do to others what they do. Can there still be Dr. Camerons/al Abubs working the torture circuit in the name of nationalism and belief?

The second review merely seeks to lessen the impact of the book "Journey into Madness" by Gordon Thomas by pointing out that other governments do similar things. No. Not on the scale and with the hypocrisy that the CIA does.

For those interested, who would like to know more about such practices and how the CIA and the medical community continue their terror and human rights abuses here and in other countries, there is some mention of this in "The Serpent and the Rainbow" by Wade Davis. He writes of the work of the American psychiatrist Nathan Kline (sp?) with the CIA in Haiti. This details their search for a drug they (doctors & the CIA) could use to control people - turn them into zombies. It mentions, coincidentially, the secret and not-so-secret primate and human experiments occurring at the New York State Psychiatric Institute by a Dr. Leo Rozen (sp). These practices still occur. The NIMH, in fact, are admittedly are giving people with mental illness Angel Dust (aka ketamine) to induce psychosis. This causes more irreversible damage than LSD.

Recently there were series of articles in the Harford Courant (1998) and the Boston Globe on drug abuses and torture used in private and publicly funded psychiatric hospitals.

Book Review of " How to Report Statistics in Medicine"

The book " How to Report Statistics in Medicine" is written by Tom Lang and Michelle Secic in 1997, published by the American College of Physicians (ACP). Just as Edward J. Huth wrote in his foreword, " ........... physician who knows nothing about statistical methods expect to find in reports of clinical trials of drugs statistical evidence ................." "Unfortunately, what passed before our eyes as statistical analysis and reporting does not always represent the proper use of statistical methods or the clear and adequate reporting of statistical findings..., and the review system is not always infallible in judging statistical evidence and how it is presented." "Up until now, authors have had available little published guidance in how to report most effectively their statistical data." Under all this circumstances, the book came into being, aiming to bring valuable specific and detailed help to authors who wish to make their papers as statistically convincing as possible. In fact, this book is also written for medical writers and editors, authors reporting basic or clinical research, clinicians, residents, and students in all areas of medicine and health science, including nursing and allied health professionals. The first author of the book, Tom Lang, is Manager of Medical Editing Services at The Cleveland Clinic Foundation, where he supervises the editing of scientific manuscripts for publication in peer-reviewed journals. The second author of the book, Michelle Secic, is the Senior Biostatistician in the Department of Biostatistics and Epidemiology at The Cleveland Clinic Foundation, where she assists researchers in designing, analyzing, and interpreting medical research studies.

Here are some of the strengths and weakness of the book:

1. There are basically 4 major parts in the book: annotated guidelines to for reporting statistical information, guide to statistical terms and tests, an uninitiated, reference list of the guidelines, and 4 useful appendices. The guidelines are presented in very clear and easy-to -find way, marked by different signs and type fonts in alphabetical order. To me, part two is especially useful. Every time I do not know the exact meaning of a specific term in statistics, I can go directly to this part and look at the explanation and get a better idea. For example, the term "intention-to-treat analysis" is right there on page 262.

2. In part 4 of the book, the appendix on " Rules for Presenting Numbers in Text" provides useful information, since numbers are most commonly used in reporting results.

3. Part 1 is the key part of the book, which contains many specific topics on reporting statistics. For example, after looking through Section 6 of Part 1, "Testing for Relationships: Reporting Associations and Correlation Analysis", I know the function of correlation matrix and how to interpret different correlation values, and then check whether the author has come to a positive conclusion or not. The same is true of the knowledge about 95% CI, with which I may help medical researchers come to a more convincing conclusion.

4. This book is very carefully proofread and so far I have not found any typing error.

5. One weakness of the book is, I think, that it would probably be better for the book to come up with some exercises or a separate workbook, providing any one who wants to learn from this book some chances of practice. Here what I mean by exercise is not how to calculate a specific statistical value, and I am referring to the exercises that help readers to think of the correct report of statistics and to what extent they

6. Another minor limitation of the book is that it is too heavy to take as a portable reference book. If it was printed on thinner paper, I would like it even better.

As a medical writer and editor at The Cleveland Clinic, Thomas A. Lang found that the lack of clear understanding of statistics by non-statisticians affected the clarity of their writing. Physicians had the same problem while writing up their research papers for publication. Lang perceived a need among medical and science writers to understand just enough of biostatistics to make them better writers and editors without becoming statisticians themselves. He devised workshops that were conducted by the American Medical Writers Association which were enormously successful. The logical next step was to write this book based on the valuable teaching experience and feedback he got at those courses. In other words, this is a book that wasn't written in a vacuum but is the result of a perceived need, and the author's experience in meeting that need. Co-author Michelle Secic has also contributed with her expertise, making it a valuable book for people in this field.

Since I am not a statistician, but a writer, I have been searching for a basic biostatistical textbook from which I could absorb just enough information to help me understand the statistical design of clinical trials, and to help focus and sharpen my reporting of statistical data. I now have a collection of biostatistical texts-I can open a used bookshop-none of which serve my needs. Although they all begin with a light approach-I should have browsed deeper through them in the bookstore-they soon get lost in deep statistical and mathematical minutia. Now, Lang and Secic, in "How to Report Statistics in Medicine: Annotated Guidelines for Authors, Editors, and Reviewers," have achieved what others have not been able to-explain how to report statistical data AND the meaning of statistical tests, etc. They accomplish this without bombastic lectures and without the mathematical nuisances that get in the way of a non-statistician or someone who simply does not care about the derivation of statistical formulae. This will be my medical writing bible for years to come. My only complaint is that it should have been sold in hardcover-it will soon wear-out from all the use!

This is the real MCoy. The authors appear to know their subect well and have done their homework. I thank you for that because this is my first read on the subject of real cowboy clothing and I wanted facts. The detail was very good and in some cases too good as in the section on horse bits. What cowboys acually wore and why is fascinating. Don't get me wrong I enjoy the Hollywood costumes but it's nice to know the real story and this is it.

A friend shoved this book in front of me during research for a historical novel, and I found it fascinating! It is a comprehensive guide to the real garb and tack of real cowboys in a real frontier, not a Technicolored Hollywood wardrober's fantasy. I found it expertly written and illustrated, detailed and enormously helpful. This isn't the kind of amateur historical pap you see so often in this category, it's the Real McCoy. Anyone who wants or needs to know how cowboys and frontiersmen dressed needs to pick up "I See By Your Outfit."

I thought this book would be about what you can tell about people from what kind of truck they drive. But it turned out to be a very good reference on historic Western garb.

"In The Shadows Of War" by Thomas Childers. Sub-titled: "An American Pilot's Odyssey Through Occupied France And The Camps Of Nazi Germany". Henry Holt and Company, New York, 2002.

This book is so well written that it reads like a novel, with suspense building up as you turn each page.
Will the B-17 pilot, Roy Allen, escape from his badly damaged aircraft? Will he be captured by the Germans? Or be rescued by the French Resistance? The French get to him first and he is assigned to a hiding place in a small village. The young teacher, Colette Florin, hides him as they all await liberation by the Allied Armies coming from the Normandy Beaches. But the Allies are delayed by fierce fighting that Summer of 1944, and Roy Allen decides to leave the relative safety of Colette Florin's rooms above the girls' school. He wants to travel to occupied Paris to reach the Resistance pipeline to get him out of France. It was here that the "novel" aspects began to overwhelm me. I said to myself that I would not write it that way; it would be more realistic if the American flyer stayed with the French teacher in the so-called "Golden Cage" and wait for the Allied Armies. Then I saw the photo section (between pages 240 & 241), and I was reminded that Roy Allen actually existed! He was NOT a fictional character. Nor was Colette. They, along with Pierre Muslant, lived and struggled in wartime France. Pierre Muslant was a member of the French Resistance who was to help Roy escape via Paris. Along with Roy, Muslant was captured and died in Buchenwald, so there is only a sketch of him, not a photograph.

The excellent writing along with the actual story of this adventure made it almost impossible to put this book down. Just remember, as you read the book, it is fact, not fiction.

"In the Shadows of War" is a triumph on numerous levels. First it's one helluva story. The true adventures of Roy Allen, the US pilot shot down over France in June 1944, are remarkable. Moreover, Childers is a skilled writer. The reader will feel transported to France and Germany in 1944-45. The experience of being an Allied pilot, of hiding from the enemy, fearing for one's life, suffering horrible depravations and barbarity are vividly presented. The bravery of the French resistantce fighters is inspiring as the cruelty of the SS and Gestapo is frightening. Concentration camps are not so much described as guided through. The forced march during a snowstorm from one POW camp to the next is similarly endured.
The central character, Roy Allen, is cast as a heroic figure, with an indominable will to survive, all the while doing the right thing. (How Childers tells Allen's story apparently without ever having met him is also a noteworthy acheivement). But it is also evident that there were many Roy Allens who served the Allies in WWII.
"In the Shadows of War " also has a strong supporting cast. Most especially, Colette Florin the school teacher who risked her life to hide Allen in her apartment. Childers wisely takes the time to fully introduces and present Florin and the rest of the "cast."
This book will not just have appeal to World War II buffs. Anyone who likes a cracking good story and appreciates good writing will be drawn into the "Shadows of War."

I'd give this book 6 stars if the software permitted! Childers has created a searing account of an American airman's life on the run in occupied France, in the hands of the Gestapo, and in the stinking hell of Buchenwald concentration camp. As others have pointed out, the identity of the French resistants can be confusing, as their code names change with different missions, but all you need bear in mind are Colette the schoolteacher, Pierre the secret agent, and Roy Allen the American pilot--their are the "three lives" of the Amazon.com sub-title. Note that the sub-title of the published book is different, as is the photo of the Lysander on the dust jacket. -- Dan Ford

Truly, Jenny Gerhardt has a lot of heart.

Though she makes some bad decisions and often lacks the confindence that could have reinvented her in the magnified binocular-eyes of society, Dreiser's love for the character shines and we, the readers, grow to love her also. Several glimmers of why Dreiser is the transcendent novelist that he is peek out from the fast moving story of Jennie Gerhardt.

"She was not, like so many, endeavoring to put the ocean into a tea-cup or to tie up the shifting universe in a mess of strings called law."

"The loveliness of seventeen is centuries old. That is why passion is almost sad."

"So this little household drifted along quietly and dreamily indeed, but always with the undercurrent of feeling which ran so still because it was so deep."

I admit to you, I have never been very interested by the sometimes dry prose offered in the writing of earlier time periods. But Dreiser seems to me a rare gem in the world of early 20th century fiction.

However, the one reason I am writing a 4 star review is because of the ending of this novel. After several mini-climaxes, the book ends. --just like that. With a grim display of "if only". And although most, if not all of us, identify with that theme, I felt like I MUST have read 366 pages for something other than that.

However, I would still recommend it. It is a delicate work of art whose power and beauty cannot be denied.

Most of us know the genius of Dreiser, the lyrical capabilities of this author is astonishing. He humanizes literature, the characters posess complex personalities and physical appearances. He takes the aesthetic beauty of the surreal and the honesty of harsh reality and combines these potent elements into a story of life, almost more believable than our own. This story follows Jennie Gerhardt, a young German girl living with her poor family in Ohio before the turn of the century. Honest but hard work puts her into the path of Senator Brander a benevolent mature man, but his ardent passions soon destroy Jennie, and her life is tainted with shame. She leaves her home, and life take her on many journeys, mostly unpleasant. This story chronicles how one mistake can change your life, and the domino effect takes place, constantly misplacing your life as you try to escape the past. I would also recommend "Tess of the D'Urbervilles" by Thomas Hardy

It seems each time I finish one of Dresier's works I think it is my favorite. Such is the case with Jennie Gerhardt, at least until my next Dresier. This heart-wrenching saga takes the reader through Jennie's life from cleaning houses with her mother, bearing a child by a US Senator and living and loving a man beyond her society class. Lester (the man she loves after the Senator), for his part, is unwilling to marry Jennie and is cut-off from the family and it's millions for loving someone "below" his class in society. Jennie remains true to herself, following her heart and the dicates of a harsh scoiety. She makes amendes with her father and is the only child to nurture him through his final days and death. She takes her daughter away from Chicago and leaves Lester so he can reclaim his family fortune. Her daughter dies, leaving her alone but the strength of Jennie's character comes through when she adopts orphans, for if she isn't nurturing she isn't living. Dreiser drives home his theme of fate and how some can dictate it while others are a slave to it. But even this distinction isn't black and white. Lester seems not to care what fate has in store for him until he takes it into his onw hands and marries the society girl he arguably should have married before he hooked up with Jennie. Alas, Jennie never mastered her fate. She was punished for loving two men from the upper-crust of scoiety instead of taking the crusts that high-living classes would toss her.

I can not believe no one else has written a review for this outstanding thriller.

Frank Pagan, the protagonist, is a bruised, battered London cop, whi is assigned to the anti-terrorist squad.

The "Jig" of the title is a well-accomplished Irish killer.

Frank has to catch him.

So, yes: it's a chase story. And it moves. The body count is awesome, the tension is overwhelming. The atmosphere is gritty, sweaty, saeamy. It's real. While it doesn't actually say so in the text, you know that Frank Hagan is a man who farts. He's human. He's damaged: a widower, still in love with his dead wife. He's... eccentric: a Londoner who drives a huge American car and plays 1950s rock and roll LOUD on the car stereo.

The story is a tad dated, but gripping nonetheless. Read it, then read the follow-ups: Jigsaw, and Heat.

They all compare favourably with Nelson Demille's "Cathedral".. enough said?

Jig is the code name of an Irish assassin with a sense of right and wrong that separates him from other IRA hit-men.

Frank Pagan is the Scotland Yard agent assigned to bring him down.

When a ship carrying over a million dollars' worth of money and weapons for the IRA is attacked in the Atlantic, the two adversaries are thrown into a game of intrigue, deception, violence, and trust that Campbell Armstrong has woven into a flawless novel of suspense that will have all readers on the edge of their seats.

It is in New York City that the two meet face-to-face...and the chase begins. Jig doesn't know where to begin looking for the money. Pagan can't convince the FBI to allow him to investigate in his own way. And Ivor McInnes, a Belfast minister, is working on something so deadly that Jig and Pagan are forced to join forces to stop a scheme that will bring the IRA to its knees.

Featuring a conscience-torn ex-priest, the President's brother, and a mysterious woman named Celestine, "Jig" is a riveting page-turner that echoes the dance it is named after. And the faster the dance gets, the harder the book is to put down.

It's a shame that Jig is one of those countless thriller novels that will sink into literary history without anyone noticing. I would just recommend that you should really, really try to find this book. Jig is a classic assassin chase type thriller, and I believe it's one of the best in the genre, even approaching the perennial favorite, Forsyth's Day of the Jackal.

Jig is an Irish assassin who is well trained and ruthlessly efficient. He is a fascinating character, his emotions, his feelings are well written throughout the book. Even better is the clever twist about 100 pages into that book that reveals the assassins real identity, making further study into his life and family even more enjoyable.

The story revolves around a stolen shipment of 10 million dollars sent to IRA coffers from a group of high profile American backers. Jig is sent to America by his mentor to find out who took the money and to take it back. Tracking him down is maverick MI-5 investigator Frank Pagan, a man obsessed with Jig. Pagan's wife was killed in an IRA bombing, and he takes it very personally.

The action is well paced, the mystery fairly compelling. The Jig vs. Pagan dynamic drives the book, but there are a host of supporting characters that are intriguing as well.

Jig the book deserves a lot more attention, even as Ireland seemingly is on the path to peace. It's hard to believe that the stories hinted at in Jig took place in reality. Try to find it, it's worth the look.

In Doctor Faustus, Thomas Mann reached to the bottom of the German soul. In Joseph and his brothers he did the same in respect to the God and his chosen people - the Jews.
Happily, the result is much brighter and more optimistic.
Most delightfull of all T. Mann's books.

Beware! Do not leave this page without getting this book. It is a masterpiece. It proves how a story (any story) handled by a true novelist turns into another (and the same) story (improved). It certainly combines what Walter Benjamin has called the art of story telling with the fuction of novelist in the modern epoch. Can we still be both? Here is a definitive answer.

Joseph and His Brothers is the powerful jorney in the mind of the myth and in the myth of the mind. It is a masterpiece full of excitment about history, respect to the reader and unsurmountable talent.